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REPRESENTASI PASIFISME DALAM FILM ANIMASI PRINCESS MONONOKE
This study discusses pacifism in the animated film Princess Mononoke. Pacifism, as a principle of rejecting violence and supporting conflict resolution through peaceful means, has long been a topic widely discussed through various media. Throughout history, war has been used as a means to achieve glory, military power, and social advancement. This study aims to identify and explore the representations of pacifism in the animated film Princess Mononoke, examined from the levels of reality, representation, and ideology. This research uses a qualitative approach with a constructivist paradigm. The study employs John Fiske's semiotic analysis, which consists of three stages: the level of reality, the level of representation, and the level of ideology. The units of analysis consist of eight scenes in the film Princess Mononoke representing pacifism. Research results show that at the reality level, pacifism portrayed in Princess Mononoke is represented through movements and expressions. Meanwhile, at the representation level, pacifism in Princess Mononoke is shown through dialogue and camera techniques. At the ideology level, pacifism in Princess Mononoke is demonstrated in the form of ecological pacifism. The conclusion of this study is that in the animated film Princess Mononoke, the representation of pacifism is seen in a combination of expressions, movements, words, camera techniques, and ecological pacifism. Pacifism is represented through the hope for harmony between nature and humans through the character Ashitaka, who is depicted as a savior, helping to restore nature with his own hands. Ashitaka acts as a seeker of peace, a controller in conflict, empathetic, and rejects the consequences of violence.
ILMU KOMUNIKASI, UNIVERSITAS SULTAN AGENG TIRATAYASA
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