Fauzi, Alif Risna (2015) Visualisasi Anarkisme Suporter Sepakbola Dalam Film Green Street Holigans (Analisis Semiotika Charles Sanders Peirce). S1 thesis, Universitas Sultan Ageng Tirtayasa.
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Text (Alif Risna Fauzi - KOM 2015)
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Abstract
Alif Risna Fauzi. NIM. 6662103153. Skripsi. Visualisasi Anarkisme Suporter Sepakbola Dalam Film Green Street Holigans (Analisis Semiotika Charles Sanders Peirce). Pembimbing I: Mia Dwianna, S.Sos, M.Ikom dan Pembimbing II: Yoki Yusanto, S.Sos, M.Ikom Visualisasi mempunyai kemampuan untuk menimbulkan kritik yang muncul terhadap perspektif ini didasarkan atas argument bahwa film adalah potret dari masyarakat dimana film itu dibuat. Film selalu merekam realitas yang tumbuh dan berkembang dalam masyarakat, dan menungkannya ke atas layar. Visualisasi perfilman merupakan penampilan informasi yang komplek kedalam bentuk visual, visualisasi dimanfaatkan dimana penerima harus berusaha untuk mengartikan simbol tersebut. Film Green Street Holigans adalah penggambaran hooliganisme supporter sepak bola di Inggris. Di Amerika dan di Australia film ini disebut Green Street Hooligan, di Negara lain disebut football hooligan atau hanya hooligan. Penelitian ini bertujuan untuk melihat bagaimana sign, object, interpretant visualisasi anarkis supporter sepakbola. Penelitian ini menggunakan pendekatan kualitatif deskriptif dan model yang digunakan dalam menganalisis adalah model analisis semiotika, tiga unsur makna Charles Sanders Peirce yaitu Sign/tanda, object, dan intrepetant. Teknik pengumpulan data menggunakan observasi tidak langsung yaitu mengamati Film Green Street Holigans dan menggunakan triangulasi teori untuk menguatkan hasil intrepetasi data. Hasil penelitian ini mengungkapkan bahwa sign, objek dan intrepetant saling berhubungan satu sama lain dalam proses penyampaian pesan ideologi. Kata Kunci: Visualisasi, Film, Anarkisme.
| Item Type: | Thesis (S1) | |||||||||
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| Additional Information: | Alif Risna Fauzi. NIM. 6662103153. Undergraduate Thesis. Visualization Anarkisme Football Holigans of Green Street Holigans (Semiotics Analysis of Charles Sanders Peirce) Guide. I: Mia Dwianna, S.Sos, M.Ikom and Guide II: Yoki Yusanto, S.Sos, M.IKom Visualization has the ability to give rise to criticism that appears on this perspective is based on the argument that the film is a portrait of a society in which the film was made. Movies always record the reality that grows and develops in the community, and pour it over the screen. Visualization of the film is the appearance of complex information into visual form, visualization is used in which the receiver should attempt to interpret the symbols. The film is a portrayal of Green Street Holigans football hooliganism in England supporters. In America and in Australia this movie called Green Street Hooligans, in other countries is called football hooligans or just hooligans. The aim of this study was to see how the sign, object, interpretant visualization anarchist football supporters. This study uses descriptive qualitative approach and the model used in the analysis is the semiotic analysis model, the three elements of the meaning of Charles Sanders Peirce, namely Sign, object, and intrepetant. Data collection techniques using indirect observation of observing film Green Street Holigans and using triangulation theory to corroborate the results of the data intrepetasi. The results of this study revealed that the sign, object and intrepetant relate to each other in the process of delivering a message ideology. Keywords: Visualization, Film, Anarkisme. | |||||||||
| Uncontrolled Keywords: | Visualisasi, Film, Anarkisme Visualization, Film, Anarkisme | |||||||||
| Subjects: | Communication > Science Journalism Communication > Communication (General) |
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| Divisions: | 06-Fakultas Ilmu Sosial dan Ilmu Politik 06-Fakultas Ilmu Sosial dan Ilmu Politik > 70201-Program Studi Ilmu Komunikasi |
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| Depositing User: | Admin Eprints Untirta | |||||||||
| Date Deposited: | 20 Jul 2016 02:07 | |||||||||
| Last Modified: | 12 Apr 2022 10:24 | |||||||||
| URI: | http://eprints.untirta.ac.id/id/eprint/502 |
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