Sahla Anbiya, Nafian (2024) OBJEKTIFIKASI SEKSUAL TUBUH PRIA DALAM FILM DEAR DAVID (Analisis Semiotika Model Roland Barthes Film Dear David Karya Lucky Kuswandi). S1 thesis, UNIVERSITAS SULTAN AGENG TIRTAYASA.
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Abstract
This research begins with the stereotype that men can't be the victims of sexual objectification. Film as a mass media not only serves as an entertainment medium, but can also serve as a medium of delivering messages of an educational nature. With the development of the times, Indonesian cinema also frequently raises issues that happen in society. One of them is the film Dear David by director Lucky Kuswandi that wants to convey a message about how a man's body can be a sexual object. This research aims to identify the male body as a sexual object depicted in a film using Roland Barthes's semiotic theory by looking at aspects of denotation, connotation, and myth. The results of this study include twelve scenes depicting the sexual objectification of men's bodies in the film Dear David. The film provides a picture of the reality experienced by many men who are sexually objective victims in Indonesia, who also experience various forms of sexual objectivation both verbal and non-verbal. The film Dear David also served as a critical medium for educational institutions that were inadequate in dealing with the issue of sexual objectivity as well as portraying the realities on the ground of how male victims of sexual obiectivity are still often seen by the eye because of the toxic stigma of masculinity derived from a patriarchal culture.
| Item Type: | Thesis (S1) | |||||||||
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| Additional Information: | Penelitian ini diawali oleh permasalahan stereotipe bahwa pria tidak bisa menjadi korban objektifikasi seksual. Film sebagai media massa tidak hanya berfungsi sebagai media hiburan, tetapi juga dapat berfungsi sebagai media penyampaian pesan yang bersifat edukatif. Seiring perkembangan zaman, perfilman Indonesia juga kerap mengangkat isu-isu yang terjadi di masyarakat. Salah satunya adalah film Dear David garapan sutradara Lucky Kuswandi yang ingin menyampaikan pesan tentang bagaimana tubuh pria bisa menjadi objek seksual. Penelitian ini bertujuan untuk mengetahui tubuh pria menjadi objek seksual yang digambarkan dalam sebuah film dengan menggunakan teori semiotika Roland Barthes dengan melihat aspek denotasi, konotasi, dan mitos. Hasil yang diperoleh dalam penelitian ini terdapat dua belas adegan yang mengambarkan objektifikasi seksual tubuh pria dalam film Dear David. Film ini memberikan gambaran realita yang dialami oleh banyak laki-laki yang menjadi korban objek seksual di Indonesia, yang juga mengalami berbagai macam bentuk objektifikasi seksual baik secara verbal dan non verbal. Film Dear David juga berperan sebagai media kritik atas institusi pendidikan yang kurang tepat dalam menangani permasalahan objektifikasi seksual serta menggambarkan realita di lapangan bagaimana laki-laki korban objektifikasi seksual masih sering dipandang sebelah mata karena adanya stigma maskulinitas yang toksik hasil dari budaya patriarki. | |||||||||
| Uncontrolled Keywords: | Film, Masculinity, Male Body, Semiotics, Sexual Objectification Film, Maskulinitas, Objektifikasi Seksual, Semiotika, Tubuh pria | |||||||||
| Subjects: | Communication > Communication (General) | |||||||||
| Divisions: | 06-Fakultas Ilmu Sosial dan Ilmu Politik 06-Fakultas Ilmu Sosial dan Ilmu Politik > 70201-Program Studi Ilmu Komunikasi |
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| Depositing User: | Nafian Sahla Anbiya | |||||||||
| Date Deposited: | 01 Nov 2024 09:51 | |||||||||
| Last Modified: | 01 Nov 2024 09:51 | |||||||||
| URI: | http://eprints.untirta.ac.id/id/eprint/43320 |
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